They say everything in life happens for a reason. I understand whats happened, now I just need to figure out the reason..

Let it flow and let it go..

Some incidents bring out the pain for my wounded Inner Child.

I don’t want to take things personally. 

Why learn art history?

Lets just think of why history? History serves many factions at once. You just have to figure out is to what you seek from it.

It makes us reason, wonder about the immensity, richness, it trains our mind in terms of evidence and logic. Imagine if you did not remember anything about your life. Would you not wonder is to how exactly you got here?

We live in a world full of images, at some point in our human history, probably about 30000 years ago; we began to create pictures and figurines.. Archeologist call this period the "creative explosion." But why did people suddenly decide to start creating images of the world around them? He created images about what he wondered, simply about things he did not always understand. Then man created society..culture and everything was dominated by it- even the arts. Today we have the arts of those people for us to understand how it all began..

If you want to cherish art, you just have to look and observe. It is not always necessary for you to try to figure out and understand what the artist is trying to say. All you have to do is watch. If the painting is to your taste you will enjoy this watching, and you can continue to watch as long as your interest holds out, as long as you enjoy the experience of watching this painting. If the painting evokes only repulsion/ dislike, even then stay and watch and try to identify what it is that is evoking the repulsion /dislike. The painting or a sculpture is an invitation for you to meet yourself, to take a journey into yourself - of self-understanding. As you enjoy the experience of this self-awareness, you are well on your way to appreciating art.

But then as you may begin to see deeper, fine artists have to be trained both in the techniques of their mediums and in art history and their audiences must have some knowledge of art history as well.

For example 

Queen Maya’s dream,

Railing medallion from the bharut stupa

Shunga, 2nd century BCE, red sandstone.

Twenty-five hundred years ago, nestled in a fertile valley along the border between India and Nepal, a child was born who was to become the Buddha. The stories say that before his birth, his mother, the queen of a small Indian kingdom, had a dream.

A beautiful white elephant offered the queen a lotus flower, and then, entered the side of her body. When sages were asked to interpret the dream, they predicted the queen would give birth to a son destined to become either a great ruler or a holy man. One day, they said, he would either conquer the world, or become an enlightened being—the Buddha. We cannot appreciate the carving if we do not know what visual knowledge existed before the artist’s time that made this medallion also if we did not know anything about Buddha and his mother dreaming about her son’s birth.

We could not know that Michelangelo’s sculpture represents David if we were unaware of that. Within the historical tradition of fine art an adolescent male carrying a sling represents this biblical hero. We therefore not only need to know something about the history of artistic styles, but also about historical meanings or symbols. With knowledge of traditional visual symbols, we can easily interpret images that would otherwise entirely elude us. Fine artist take it for granted that their audience is familiar with these symbols. To deny history is to alienate us from our own roots, community, culture, and species.

Creative people might appear to be perfect, in light of various features we have credited to them. But highly creative people are complex beings who also possess what most people consider being socially undesirable. To begin with they can become so absorbed with their ideas particularly during stages of creative process that they strike others as hopelessly self centered. They may also lack social skills, becoming tactless, forgetful and inconsiderate to others.

Always seeking new ideas to replace old ones, highly creative people sometimes appear to be faultfinders.

They tend to set their clock according to rhythms of their ideas; they seem difficult and stubborn and yet at the same time flexible and open minded. This does not make them any easier to get along with, but giving highly creative people the freedom they need to develop their ideas gives rich rewards that benefit us all.

Does one take this complex personality for granted? We are all imperfect - the creative and the non creative. So because I need the solitude to gather my thoughts and produce them creatively gives me the license to be impolite?  Does it make me less creative otherwise? We are all in a hurry to label everyone, everything. We want to place them in a compartment. This can only bring a gap between us and the creative ones. Artists will not compromise to come two steps down and the rest will not want to climb two steps up. To avoid disappointments a handshake is possible. No?